
1953 at the tail end of Stalin’s rein, paranoia and fear pervade society, with millions being denounced and sent to the gulags in the quest to create a perfect society. Leo Demidov is an idealistic agent of the system who works for the state security service, the MGB, investigating and arresting enemies of the state. Whilst Leo is aware of the political machinations within his own organisation, he does not question the system as a whole. However, his idealistic veil is slowly removed, first through having to persuade a colleague that in a country with zero crime his young son could not have been murdered, then witnessing the death of an innocent man at the hands of a MGB colleague, and being asked to investigate the political activities of his wife. Denounced, he is exiled to a new city and demoted to the bottom rung of the militia. There he discovers that child murderer is at work; a murderer the state refuses to acknowledge exists. Determined to investigate further, he’s forced to go on the run in order to bring the killer to justice.
Child 44 is an assured and competent debut. The novel starts with a well crafted opening hook and unfolds at a steady pace. The historical contextualisation and sense of place is good throughout, with Smith depicting a paranoid and oppressed society where even the security services and family members are afraid of each other. The characterisation is solid, especially the idealistic and often naive Leo Demidov, and his more worldly-wise wife, Raisa. The prose is for the most part fairly workmanlike and the story fits the category of historical police procedural thriller, rather than a literary novel, as I’ve seen it described elsewhere. The plotting is well handled up until near the end. The twist was purely a literary device and undermined the credibility of the story. It could have been resolved in a more straightforward manner, which for me at least would have been more satisfactory. Overall, an engaging and crafted story with a contrived resolution.
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