Review of White Dog by Peter Temple (Quercus, 2011, pub in Australia in 2003).

Sarah Longmore is about to stand trial for the murder of her former lover, a property developer who’s business was in trouble.  Jack Irish has been hired to look into her defence and the veracity of her claims that she’s innocent given that it appears to be an open and shut case.  Jack’s partner has just taken a job in London, so he has plenty of time to investigate Longmore’s story.  It doesn’t take long for him to start to question her guilt and not much longer for others to warn him to quietly drop his snooping.  But once something has got under Jack’s skin, he finds it difficult to walk away.  The question is whether he’ll be walking at all if he doesn’t let the case slide.

White Dog is the fourth and (so far) last book in the excellent Jack Irish series set in and around Melbourne about a former lawyer who divides his time between being an investigator, debt collector, furniture maker, horse-racing gambler and watching Aussie rules football.  Like all of Peter Temple’s novels, White Dog is a nice mix of hardboiled crime and literary voice and observational asides.  In a genre full of workman-like prose, Temple writes with a fresh tone.  The narrative is layered and sometimes almost elusive or veiled, the reader as unsure as to what is happening as Jack.  It’s an intriguing and beguiling style.  As usual, the characterisation is excellent, especially Jack and the Youth Club, an elderly group of football supporters that prop up the local bar, and Jack’s horse racing friends.  The plot is tight and engaging and there’s a nice sense of place.  Overall, a first rate read and  I’m hoping that now the first two books have been adapted for television that Temple will resurrect what has been a stellar series.

Review of Cypress Grove by James Sallis (2003, No Exit Press)

Turner is hiding out in the woods somewhere between Memphis and nowhere.  He keeps to himself, letting life drift by until Sheriff Lonnie Bates turns up on his porch seeking help with a murder.  Following a stint in Vietnam, Turner became a Memphis detective, but after shooting his partner was sent to prison.  There he hit the books and studied for a degree and on release built a new life for himself, before abandoning that too for the woods.  Bates cares little for Turner’s past; unused to investigating a violent death he needs his skills.  And deep down Turner needs Bates’ compassion and friendship.  Accepting the challenge, Turner starts on the trail of identifying the dead drifter and who killed him, and of slipping back into society.

Cypress Grove is oddly captivating.  It’s not a page-turner in the sense of a high powered thriller, but rather it hooks the reader in a quiet, understated way.  Sallis’ storytelling kind of just drifts along regardless of dramatic moments, sketching out a portrait of an essentially good man whose life has been punctuated by terrible moments: being drafted to Vietnam, killing his partner, killing a prison inmate just prior to being released; all of them somehow beyond his control.  Sallis’ is a noted poet and essayist as well as novelist and it shows in his writing, which has a lyrical cadence and some lovely turns of phrase.  The story is told through two intersecting plotlines that alternate across chapters; one in the present; the other Turner’s back story.  It’s an effective structure, providing a series of interesting counterpoints.  The plot itself is relatively straightforward and Turner solves the case quite easily, but the puzzle is hardly the main focus of the story, rather it's Turner’s journey and the unfolding of his re-integration into life and law enforcement.

Review of Shaman Pass by Stan Jones (Soho Press, 2003)

‘Uncle Frosty’, a Inupiat mummy originally found in a cave in Shaman Pass, has been returned to Chukchi, Alaska, by the Smithsonian Institution.  Not everyone is happy that he will be displayed in the local museum rather than being left on the tundra in the traditional way after death.  Within a few hours he has been stolen along with an ancient ivory harpoon and amulet.  A day later Victor Solomon is found out on the ice sheet next to a fishing hole speared with the harpoon.  State Trooper Nathan Active, an Inupiat born locally but raised by white adoptive parents in Anchorage has the task of investigating the death.  The evidence seems to point a local indigenous rights activist, but it is clear that there is more to the case than meets the eye, the key to which is the identity of ‘Uncle Frosty’.

Shaman Pass is a fairly straightforward police procedural, but one given a nice twist through its setting and Nathan Active’s position as an outside insider.  Jones does a very good job of capturing the social relations and tensions of an Inupiat community interfacing with white culture and laws and of placing the reader in the landscape and creating a sense of place.  Active is a solid lead character and provides a nice pair of eyes through which to view the local community and its ways.  The writing is nicely paced and expressive and the plot for the most part works well.  The final third of the story, however, falls a little flat.  The mystery element is gone, replaced with more of a thriller-style conclusion and some sub-plots, such as Active’s relationship with his grandfather, are forgotten.  Overall, Shaman Pass was an enjoyable and engaging read and I’m looking forward to catching up with Trooper Active in the third book in the series, Frozen Sun.